Ive been working in studios since I was 15, doing sound effects and editing for theater…this naturally led to lots of sonic experimentation… more of this ensued.. many synth patches and a few years later i started designing and building recording studios, in NYC  in 2003… I guess I've kind of developed my own vernacular as far as studios go… acoustics are super important, but so is creating an inspiring space to draw and evoke the performance and nail that 'studio magic'

mercy sound is the best

outlier